Six years ago today was the unveiling of Ultima X Odyssey, and as is tradition, I'm the only one in the world still remembering that game and honoring the anniversary of the event. I was there, it was amazing, and it shall be remembered, here at least.
I almost missed it. Really, the interview I did last year with some of the UXO team pretty much wrapped up the lingering mysteries of its cancellation. There's been no new developments, of course, over the last year.
Except one. Back in April, some promotional CD appeared on Ebay that had the musical score of Ultima X : Odyssey, as well as music from Medal of Honor : Frontlines and one other game. I foolishly thought I was the only one interested, didn't bid high enough, and got sniped. I was very much hoping to get my hands on that artifact and hear that fantastic music once again.
So here we are, six years later. Ultima X : Odyssey is just a memory, EA apparently has no plans to do anything with the Ultima franchise, other than churn out another Ultima Online expansion for their few remaining players, and all that's left of the hard work and dedication of the Ultima X : Odyssey team is one lone fan, raising a toast to them all and their unrealized vision.
What a game it would have been. Roll the movies:
We entered the hall at Yerba Buena and this is what they showed us to introduce the game:
Here's a short film about the game's music:
Here's one I hadn't seen before from Liquid Development, about world building. Some of these environments have never been seen before:
Here's EA's film of the event itself, which DID NOT happen at any E3, in spite of the title:
Finally, let's wrap it up with my own tribute film:
Friday, August 21, 2009
Monday, August 10, 2009
Beaten : Eat Lead : The Return of Matt Hazard
Released back in March of this year to mediocre reviews, Eat Lead - The Return of Matt Hazard was nonetheless a game I wanted to play very much. Trailers like this one, as well as the voice acting by Will Arnett and Neil Patrick Harris painted a picture of a game that didn't take itself too seriously, and was an artistic parody of much of the last two decades of videogaming.
At fifty dollars, though, I couldn't justify picking it up. It eventually dropped to thirty dollars a few months back, but it wasn't until last Saturday, when I saw it at Wal-Mart for twenty dollars, that I took the plunge. For that price, I can say the game was a very satisfying experience.
Eat Lead : The Return of Matt Hazard is a third person shooter at its core gameplay, with a few quicktime events thrown in here and there. Technically, it is below this generation's standards in gameplay, if not graphics, but neither is an unforgivable issue when taken into the context of the delivery of the game's content.
There's a great cover system, but sometimes it misses what surface you want to hide behind. Enemies throw grenades at you, but you can't do the same (Matt even jokes about this design omission). Levels are big, checkpoints are frequent enough, and loading times are rarely an issue. Boss battles are often intense repeated-death sessions where it takes a lot of time and luck to figure out what to do.
As a comedic effort the game succeeds quite well in its parody of the videogame scene. It's not the Airplane of parodies in that the laughs don't come a mile a minute, but after beating down waves of repeating foes, when they do come it's a welcome reward.
Enemies come in the form of everything from construction workers to cowboys, zombies, Wolfenstein 3D-style 2D sprite-Nazis, water-gun toting commandoes, space marines, and more, each packing their own kind of in-character weapons. Speaking of which, the weapons and ammo dropped are never too scarce, and in a few places they respawn.
The story of Matt Hazard, a washed up videogame character who gets set up by a bitter software mogul, is perfect for the task at hand. There are a lot of moments in the game worth mentioning, but they are best left revealed to the player during the gameplay, and not through spoilers revealed on some obscure blog like this one.
The game even mocks the achievement system, granting achievements for just starting the game for the first time, pausing for the first time, an watching the end credits. Their names are fun, too, like the Russian Attack achievement, granted for using the AK-47 for a certain number of kills, a clear shout-out to the arcade classic.
So here's where I'm at with Eat Lead : The Return of Matt Hazard: It was worth the twenty dollars I spent on it for a weekend of fun gameplay and a few great laughs. I personally value what the game's developers were trying to do here, and in great measure they have succeeded. I got all the jokes and the tongue-in-cheek look at not just gaming, but game development. In spite of the game's poor sales, I hope there's a sequel, and I hope that other developers won't shy away from such concepts in the future.
For the average gamer looking for just another shooting game, and not too interested in the parody of our hobby, I can't recommend it. Like me, anyone playing Eat Lead must be more into the message than the gameplay for the whole package to work. And work it does. Eat Lead : The Return of Matt Hazard was great fun and a refreshing change from so many games that take themselves too damned seriously.
At fifty dollars, though, I couldn't justify picking it up. It eventually dropped to thirty dollars a few months back, but it wasn't until last Saturday, when I saw it at Wal-Mart for twenty dollars, that I took the plunge. For that price, I can say the game was a very satisfying experience.
Eat Lead : The Return of Matt Hazard is a third person shooter at its core gameplay, with a few quicktime events thrown in here and there. Technically, it is below this generation's standards in gameplay, if not graphics, but neither is an unforgivable issue when taken into the context of the delivery of the game's content.
There's a great cover system, but sometimes it misses what surface you want to hide behind. Enemies throw grenades at you, but you can't do the same (Matt even jokes about this design omission). Levels are big, checkpoints are frequent enough, and loading times are rarely an issue. Boss battles are often intense repeated-death sessions where it takes a lot of time and luck to figure out what to do.
As a comedic effort the game succeeds quite well in its parody of the videogame scene. It's not the Airplane of parodies in that the laughs don't come a mile a minute, but after beating down waves of repeating foes, when they do come it's a welcome reward.
Enemies come in the form of everything from construction workers to cowboys, zombies, Wolfenstein 3D-style 2D sprite-Nazis, water-gun toting commandoes, space marines, and more, each packing their own kind of in-character weapons. Speaking of which, the weapons and ammo dropped are never too scarce, and in a few places they respawn.
The story of Matt Hazard, a washed up videogame character who gets set up by a bitter software mogul, is perfect for the task at hand. There are a lot of moments in the game worth mentioning, but they are best left revealed to the player during the gameplay, and not through spoilers revealed on some obscure blog like this one.
The game even mocks the achievement system, granting achievements for just starting the game for the first time, pausing for the first time, an watching the end credits. Their names are fun, too, like the Russian Attack achievement, granted for using the AK-47 for a certain number of kills, a clear shout-out to the arcade classic.
So here's where I'm at with Eat Lead : The Return of Matt Hazard: It was worth the twenty dollars I spent on it for a weekend of fun gameplay and a few great laughs. I personally value what the game's developers were trying to do here, and in great measure they have succeeded. I got all the jokes and the tongue-in-cheek look at not just gaming, but game development. In spite of the game's poor sales, I hope there's a sequel, and I hope that other developers won't shy away from such concepts in the future.
For the average gamer looking for just another shooting game, and not too interested in the parody of our hobby, I can't recommend it. Like me, anyone playing Eat Lead must be more into the message than the gameplay for the whole package to work. And work it does. Eat Lead : The Return of Matt Hazard was great fun and a refreshing change from so many games that take themselves too damned seriously.
Sunday, August 9, 2009
Beaten : The Darkness
Two weeks ago I delved into my local Gamestop's bargain bin, and pulled out a ten dollar winner, The Darkness. Based on one of those Spawn-type, dark vigilante comic books, the Darkness is a first-person shooter with a very original twist, and a story that's one of the most emotionally engaging ones of this generation.
Players assume the role of young mob assassin Jackie Estacado, who on his 21st birthday finds out he has these inherited darkness powers. These powers are cool - there are tentalces that you can send out to scout and attack foes, another tentacle attack for close-range combat and moving objects, darkness guns, and a black hole you can summon to mess up enemies. Your darkenss powers are increased by devouring the hearts of downed foes.
The powers also allow him to summon four kinds of darklings - little demon followers each with a different function. One's a brawler, one's a gunner, one's a suicide bomber, and the other goes around zapping light sources. Oh yeah, these are darkness powers after all, so as the player explores areas they have to shoot out every light source they can. The powers will cut out at inopportune times until the player gets in the habit of shooting out light sources.
Back to the darklings for a moment. Yes, they're cute, they way they jabber to each other and make little daemonic comments about things, but man are they dumber than a sack of doorknobs. You can send them to places that you target by pressing X, but they rarely do what you want. I used them sparingly, usually as cannon fodder.
The story, as noted previously, has warm and compelling moments in spite of all the bad mojo going on. I won't give away any spoilers here, but it's a masterpiece of interactive storytelling. There are great and memorable characters to meet, from old mob family members to folks in the subway who give you side quests.
There is a really cool collection quest here, too. There are scraps of paper with phone numbers on them that can be gathered. When the player finds a pay phone, they can call all of them up. There are lots of silly, humorous answers on the other end of those phone numbers, and each one unlocks some sort of bonus content. There are letters, too, that can be found and later mailed when one comes across a mailbox. I barely found half of the 100 numbers and letters hidden in the game.
In terms of level design, it's almost an open-world game, in that there are many neighborhoods, all connected by two subway hubs. Some don't open up until later chapters, but many can and must be revisited as the game progresses. The game consists of five huge chapters, two of which take place in a hellish World War I battlefield that has to be seen to be believed. Graphically and technically, that area is a gamescape unlike any other I've seen.
There are all sorts of other design brilliances that make The Darkness stand out from other games. The loading screens are little vignettes of Jackie, sometimes talking about an area the player is about to enter, sometimes about the characters, and other times just fooling around with his guns.
The televisions the player sees here and there contain actual real-world content - an old Flash Gordon serial, old Max Fleisher cartoons, a few movies and music videos. Again, this is actual content, not a facsimile. I fell asleep with Flash Gordon on, and woke up a few minutes later to see it still playing, much further into the episode. I really think that the whole thing is in there, if one wanted to watch it all. An impressive technological feat.
It took me about a week of playing to beat the Darkness. It was challenging, and never unfair, with lots of twists and turns in the story to keep me interested. This is the total package - great gameplay coupled with a compellingly crafted tale. There's a sequel in the works, but Starbreeze Studios, the ones who created this incredible game, aren't the developers. Whoever is out there making a new Darkness game had better pay close attention to what Starbreeze did here, for anything less would be a travesty.
Players assume the role of young mob assassin Jackie Estacado, who on his 21st birthday finds out he has these inherited darkness powers. These powers are cool - there are tentalces that you can send out to scout and attack foes, another tentacle attack for close-range combat and moving objects, darkness guns, and a black hole you can summon to mess up enemies. Your darkenss powers are increased by devouring the hearts of downed foes.
The powers also allow him to summon four kinds of darklings - little demon followers each with a different function. One's a brawler, one's a gunner, one's a suicide bomber, and the other goes around zapping light sources. Oh yeah, these are darkness powers after all, so as the player explores areas they have to shoot out every light source they can. The powers will cut out at inopportune times until the player gets in the habit of shooting out light sources.
Back to the darklings for a moment. Yes, they're cute, they way they jabber to each other and make little daemonic comments about things, but man are they dumber than a sack of doorknobs. You can send them to places that you target by pressing X, but they rarely do what you want. I used them sparingly, usually as cannon fodder.
The story, as noted previously, has warm and compelling moments in spite of all the bad mojo going on. I won't give away any spoilers here, but it's a masterpiece of interactive storytelling. There are great and memorable characters to meet, from old mob family members to folks in the subway who give you side quests.
There is a really cool collection quest here, too. There are scraps of paper with phone numbers on them that can be gathered. When the player finds a pay phone, they can call all of them up. There are lots of silly, humorous answers on the other end of those phone numbers, and each one unlocks some sort of bonus content. There are letters, too, that can be found and later mailed when one comes across a mailbox. I barely found half of the 100 numbers and letters hidden in the game.
In terms of level design, it's almost an open-world game, in that there are many neighborhoods, all connected by two subway hubs. Some don't open up until later chapters, but many can and must be revisited as the game progresses. The game consists of five huge chapters, two of which take place in a hellish World War I battlefield that has to be seen to be believed. Graphically and technically, that area is a gamescape unlike any other I've seen.
There are all sorts of other design brilliances that make The Darkness stand out from other games. The loading screens are little vignettes of Jackie, sometimes talking about an area the player is about to enter, sometimes about the characters, and other times just fooling around with his guns.
The televisions the player sees here and there contain actual real-world content - an old Flash Gordon serial, old Max Fleisher cartoons, a few movies and music videos. Again, this is actual content, not a facsimile. I fell asleep with Flash Gordon on, and woke up a few minutes later to see it still playing, much further into the episode. I really think that the whole thing is in there, if one wanted to watch it all. An impressive technological feat.
It took me about a week of playing to beat the Darkness. It was challenging, and never unfair, with lots of twists and turns in the story to keep me interested. This is the total package - great gameplay coupled with a compellingly crafted tale. There's a sequel in the works, but Starbreeze Studios, the ones who created this incredible game, aren't the developers. Whoever is out there making a new Darkness game had better pay close attention to what Starbreeze did here, for anything less would be a travesty.
Beaten : Halo 3 - No Really, I'm Playing Halo 3
So a few years back, I had an original XBox for awhile. I didn't play much on it - The Bard's Tale, Doom 3, Stubbs the Zombie, and The Warriors are about all I ever bought for it, other than the first Halo game. I had heard so much hype about how awesome it was, so I picked it up.
I thought it was a mediocre first-person shooter at best, nowhere near what the hype had made it out to be. It was fun, it was polished, but the big story behind it all felt entirely detached from the shooting. Fast forward to a few weeks ago, when the hype swept me up once again, and I took the plunge and picked up Halo 3, the XBox 360's flagship title.
I read up on the story elements of Halo, to refresh my memory of the first game and to fill in the blanks on what happened in the second installment. Once again, the story seemed complex, and I hopped right into Halo 3's "Heroic" setting (the game described this setting as "how Halo was meant to be played", or something).
Once again, the story was there, unfolding between bullets, but it all seemed irrelevant. The solo campaign was short, but certainly challenging and dotted with moments of spectacle. Since Halo 3 is put on such a high pedestal by the gaming community, I'll be judging it more harshly than I normally would.
The story, as I've already mentioned, is a wacky, overwritten bag of sci-fi lore that has little impact on gameplay. There is really stupid ally AI at the few points in the game where there are allies. You get an alien sort-of sidekick, who at one point got stuck in a rock when jumping down from a ledge.
The game is a shooting gallery of the same enemies over and over. Some levels repeat, too, or more specifically, you backtrack through a part of a previously-cleared level at one point. The bodies and guns from your previous journey through that level are wiped by the same ninja janitors that sneak in and out of lesser games. In addition, old Master Chief doesn't manage to keep the guns he's holding onto between levels. Tsk, tsk.
So there's my harsh criticism of Halo 3. Let's face it, though - Halo 3 is a multiplayer game, and the solo campaign is just there to - um - finish the story, I guess. As a "noob" in the Halo 3 multiplayer world, I've been getting "pwned" by all sorts of pleasant people (mostly kids) from all over the world.
Multiplayer is Halo 3's bread and butter, and it's a complete package, with lots of maps and options to enjoy. I'm still, weeks later, just getting my feet wet with it all, not winning much, and slowly ranking up a little. I've resolved myself to get more multiplayer fun out of my XBox 360, and Halo 3 certainly has a large community of players whose sole purpose is to keep me humble as I progress, so it's a great place to play around.
Halo 3 has a forgettable single player game, but its real value comes from its vast multiplayer aspect. Another Halo game, ODST, arrives in September, and if I'm enjoying Halo 3 enough by then to warrant the purchase of that spinoff game, I may consider diving even deeper into the Halo universe. The story, from what I've heard so far about ODST, seems a little more compelling, and I'm sure it will expand the already vast array of things to do with the multiplayer game.
I thought it was a mediocre first-person shooter at best, nowhere near what the hype had made it out to be. It was fun, it was polished, but the big story behind it all felt entirely detached from the shooting. Fast forward to a few weeks ago, when the hype swept me up once again, and I took the plunge and picked up Halo 3, the XBox 360's flagship title.
I read up on the story elements of Halo, to refresh my memory of the first game and to fill in the blanks on what happened in the second installment. Once again, the story seemed complex, and I hopped right into Halo 3's "Heroic" setting (the game described this setting as "how Halo was meant to be played", or something).
Once again, the story was there, unfolding between bullets, but it all seemed irrelevant. The solo campaign was short, but certainly challenging and dotted with moments of spectacle. Since Halo 3 is put on such a high pedestal by the gaming community, I'll be judging it more harshly than I normally would.
The story, as I've already mentioned, is a wacky, overwritten bag of sci-fi lore that has little impact on gameplay. There is really stupid ally AI at the few points in the game where there are allies. You get an alien sort-of sidekick, who at one point got stuck in a rock when jumping down from a ledge.
The game is a shooting gallery of the same enemies over and over. Some levels repeat, too, or more specifically, you backtrack through a part of a previously-cleared level at one point. The bodies and guns from your previous journey through that level are wiped by the same ninja janitors that sneak in and out of lesser games. In addition, old Master Chief doesn't manage to keep the guns he's holding onto between levels. Tsk, tsk.
So there's my harsh criticism of Halo 3. Let's face it, though - Halo 3 is a multiplayer game, and the solo campaign is just there to - um - finish the story, I guess. As a "noob" in the Halo 3 multiplayer world, I've been getting "pwned" by all sorts of pleasant people (mostly kids) from all over the world.
Multiplayer is Halo 3's bread and butter, and it's a complete package, with lots of maps and options to enjoy. I'm still, weeks later, just getting my feet wet with it all, not winning much, and slowly ranking up a little. I've resolved myself to get more multiplayer fun out of my XBox 360, and Halo 3 certainly has a large community of players whose sole purpose is to keep me humble as I progress, so it's a great place to play around.
Halo 3 has a forgettable single player game, but its real value comes from its vast multiplayer aspect. Another Halo game, ODST, arrives in September, and if I'm enjoying Halo 3 enough by then to warrant the purchase of that spinoff game, I may consider diving even deeper into the Halo universe. The story, from what I've heard so far about ODST, seems a little more compelling, and I'm sure it will expand the already vast array of things to do with the multiplayer game.
Wednesday, August 5, 2009
Quisp Is Back !
A few weeks ago, around the time of the 40th anniversary of the moon landing, I ran across a sight in my local Anderson's General Store that blew me away.
During that bygone era of constant space missions, where I was raised believing that mankind's future in space had truly begun, one breakfast cereal perfectly complimented the time : Quisp.
The delicious corn cereal featured a little space-guy mascot with a propeller on his head. Along with Tang, which the astronauts drank, my breakfasts were filled with my own dreams of a life of space travel. As the 1970s moved on and the space program wound down for awhile, Quisp lost its popularity and was taken off the store shelves.
I never saw it anywhere again, but remembered it fondly, not just for the childhood memories, but because it really tasted great, too. It was like a less sugary (and less sharp) Captain Crunch, with better corn flavor.
So there it was, here in 2009, at the Anderson's. Dozens and dozens of boxes. I bought two boxes the first week, and three in each subsequent week. The boxes are small, you see. Last week, though, there were less than a dozen boxes of Quisp left.
I'll probably find out this week if the Anderson's is going to restock this legendary, delicious cereal, or if it will disappear for a few more decades. I've learned, though, that I can actually order more of it online from the website, should I desire it.
Hmmm. Ordering vintage breakfast cereal through a website. Is there anything the internet can't do?
During that bygone era of constant space missions, where I was raised believing that mankind's future in space had truly begun, one breakfast cereal perfectly complimented the time : Quisp.
The delicious corn cereal featured a little space-guy mascot with a propeller on his head. Along with Tang, which the astronauts drank, my breakfasts were filled with my own dreams of a life of space travel. As the 1970s moved on and the space program wound down for awhile, Quisp lost its popularity and was taken off the store shelves.
I never saw it anywhere again, but remembered it fondly, not just for the childhood memories, but because it really tasted great, too. It was like a less sugary (and less sharp) Captain Crunch, with better corn flavor.
So there it was, here in 2009, at the Anderson's. Dozens and dozens of boxes. I bought two boxes the first week, and three in each subsequent week. The boxes are small, you see. Last week, though, there were less than a dozen boxes of Quisp left.
I'll probably find out this week if the Anderson's is going to restock this legendary, delicious cereal, or if it will disappear for a few more decades. I've learned, though, that I can actually order more of it online from the website, should I desire it.
Hmmm. Ordering vintage breakfast cereal through a website. Is there anything the internet can't do?
Monday, July 13, 2009
Beaten : Condemned 2 : Bloodshot
It's taken me a few weeks after encountering the Condemned 2 Lost Saves Bug to get back to the game, taking every precaution to avoid a recurrence, but now that I have I can say I'm glad I did.
Condemned 2 : Bloodshot is a true sequel, taking place some time after the first game, with the main character now a smelly drunk. He again gets pulled into the city's worst neighborhoods for a creepy adventure that, thankfully, explains some of the unsolved mysteries of the first game while taking the story into a whole new direction.
When I say a whole new direction, I mean it. The story that unfolds is fantastic, with characters that come and go and motives that are revealed over the course of the game. As with the first Condemned game, the adventure takes the player through some unique and varied levels, such as an abandoned doll factory and a derelict bowling alley.
There's even a cool revisit to a part of a level from the first game, which might sound like a lazy design decision at first, but instead makes sense in terms of story, as well as earning a lot of points for having the corpse of an enemy boss from the first game lying right where you left it.
The melee combat that made the first title a refreshing landmark is expanded on greatly in the sequel, with all sorts of combo attacks added, as well as quicktime event kills and environmental kills to keep things interesting. There are more guns on some of the levels, so much so that the player can complete the level fully armed.
Sadly, but probably smartly, the taser got nerfed. It has limited charges in Condemned 2, so batteries must be found much like ammo. And when aiming anything, it's a good idea to be a little drunk. That's right, not since The Bard's Tale games has the player actually needed to keep drinking to play more effectively.
The investigative stuff is back, this time with four selectable items : A GPS, a spectrometer (it picks up sounds and smells), a UV light, and a digital camera. All of them are used in creative ways to get through the game, and the player is scored on their investigative prowess. Investigations really add a lot to Condemned games, but with both of them I was left wanting more.
The game's autosave system works well enough, but sometimes has rough checkpoints that put the player strangely far back from a critical point. Another complaint is the lack of a target reticule for throwing items. There are times in the game where an item must be thrown very precisely, and only the flashlight can provide any guidance on where to aim - and it sucks for that.
I dub Condemned 2 : Bloodshot as "The Game That Doesn't Want You To See", as the player is often in areas that are so dark that the flashlight doesn't help, or subject to sonic waves that distort everything, or forced to wear a scratched-up, vision-impairing oxygen mask. It's just silly sometimes, but I suppose it all makes sense.
Another minor complaint is that the character of Rosa has changed from a chunky, motherly, African-American woman in her thirties to a skinny African-American woman in her twenties. None of this is explained.
Minor complaints (and the major one) aside, Condemned 2 : Bloodshot is a great sequel that certainly expands on the combat, the characters, and the story started in the first one. The ending sets up for one hell of a sequel, too, and I certainly hope that there is one in the works. The two titles of the Condemned series make up this gaming generation's premiere horror experience, and there's certainly potential for it to become a trilogy that will be talked about for years.
Condemned 2 : Bloodshot is a true sequel, taking place some time after the first game, with the main character now a smelly drunk. He again gets pulled into the city's worst neighborhoods for a creepy adventure that, thankfully, explains some of the unsolved mysteries of the first game while taking the story into a whole new direction.
When I say a whole new direction, I mean it. The story that unfolds is fantastic, with characters that come and go and motives that are revealed over the course of the game. As with the first Condemned game, the adventure takes the player through some unique and varied levels, such as an abandoned doll factory and a derelict bowling alley.
There's even a cool revisit to a part of a level from the first game, which might sound like a lazy design decision at first, but instead makes sense in terms of story, as well as earning a lot of points for having the corpse of an enemy boss from the first game lying right where you left it.
The melee combat that made the first title a refreshing landmark is expanded on greatly in the sequel, with all sorts of combo attacks added, as well as quicktime event kills and environmental kills to keep things interesting. There are more guns on some of the levels, so much so that the player can complete the level fully armed.
Sadly, but probably smartly, the taser got nerfed. It has limited charges in Condemned 2, so batteries must be found much like ammo. And when aiming anything, it's a good idea to be a little drunk. That's right, not since The Bard's Tale games has the player actually needed to keep drinking to play more effectively.
The investigative stuff is back, this time with four selectable items : A GPS, a spectrometer (it picks up sounds and smells), a UV light, and a digital camera. All of them are used in creative ways to get through the game, and the player is scored on their investigative prowess. Investigations really add a lot to Condemned games, but with both of them I was left wanting more.
The game's autosave system works well enough, but sometimes has rough checkpoints that put the player strangely far back from a critical point. Another complaint is the lack of a target reticule for throwing items. There are times in the game where an item must be thrown very precisely, and only the flashlight can provide any guidance on where to aim - and it sucks for that.
I dub Condemned 2 : Bloodshot as "The Game That Doesn't Want You To See", as the player is often in areas that are so dark that the flashlight doesn't help, or subject to sonic waves that distort everything, or forced to wear a scratched-up, vision-impairing oxygen mask. It's just silly sometimes, but I suppose it all makes sense.
Another minor complaint is that the character of Rosa has changed from a chunky, motherly, African-American woman in her thirties to a skinny African-American woman in her twenties. None of this is explained.
Minor complaints (and the major one) aside, Condemned 2 : Bloodshot is a great sequel that certainly expands on the combat, the characters, and the story started in the first one. The ending sets up for one hell of a sequel, too, and I certainly hope that there is one in the works. The two titles of the Condemned series make up this gaming generation's premiere horror experience, and there's certainly potential for it to become a trilogy that will be talked about for years.
Beaten : The Elder Scrolls IV : Oblivion
Well, it wasn't King's Field, but it was still an epic, well-crafted gaming experience. Back in April I took the plunge and picked up The Elder Scrolls IV : Oblivion : Game Of The Year Edition for my XBox 360, and a few days ago, I finished it - for now.
When I first bought it, I only played through the tutorial, and then set it aside to play some other games I had received for my birthday. I knew that Oblivion would have a steep learning curve as well as bucketloads of content, so I put it off until about a month ago, only stopping for a week to play Ghostbusters.
Oblivion has a vast land full of cities, people, and points of interest, all meticulously engineered to create a richly complex virtual world. People come and go about their daily business and the player does, too. None of this is particularly new in adventure games, but the depth and detail in Oblivion really set it apart. It is without a doubt the premiere fantasy RPG of this generation.
There are quests just pouring out everywhere you go. In addition to the main storyline involving an invasion by the nightmare realm of Oblivion and its denizens, I quested through the Fighter's Guild, Mages Guild, Arena, Thieves Guild, and Assassin's Guild storylines, each almost big enough to have made their own game. You get missions with each of these, and as you progress an over-arching storyline emerges. The Thieves Guild was my favorite of these, with a great twist-ending.
There's so much to do beside these quests, and even though I beat the game, there are many more of these standalone tasks I've left unfinished. In addition, the Game of the Year edition I purchased comes with both expansions, which I'm sure offer even more hours of gameplay. I finished all the main game and guild questlines in around 70 plus hours of play.
The player can go about all of this either in first-person (like the above-mentioned King's Field), or third person, and the combat is in real-time, with swords swinging and spells flying. The inventory, map, and other screens are a complex set of interfaces that take some time to master, but it's not overly clunky or cantankerous.
The game advises players to save frequently, and I couldn't agree more. Make multiple saves, too - don't just allow the game's autosave mechanism to write over the same ones, as the game's hyper-complexity can create situations where you wish you had a earlier save available.
For example, I took on one of the side quests early in the game, which sent me to a tomb full of vampires. In this game world you can become a vampire by just swordfighting with one, and I contracted vampirism. A few days later, sure enough, my life became a nightmare, with people running away from me and a serious aversion to sunlight making my normal questing and travelling a living hell. I found out that there was a cure, but I was required to gather so many items that I found it insanely hard. I choose to go back to a save before taking on that original quest, losing about two days worth of play. I really didn't want to play as a vampire.
The game had some challenging parts and some easy parts, all of that determined by what skills and items I had, as the creatures you fight are generally scaled to your own level. The ending was epic, if brief, and the game goes on, with so much more to do and see, that it's almost like an MMO.
I'll be returning to land of Cyrodiil for more adventures at some point, but after nearly a month in that land, I need a break. The Elder Scrolls IV : Oblivion is a massive masterpiece, complex but fun, rich and full of detail. My only disappointment is that it wasn't a King's Field game, but then again, only From Software can make a King's Field game, and they're not doing that anymore.
When I first bought it, I only played through the tutorial, and then set it aside to play some other games I had received for my birthday. I knew that Oblivion would have a steep learning curve as well as bucketloads of content, so I put it off until about a month ago, only stopping for a week to play Ghostbusters.
Oblivion has a vast land full of cities, people, and points of interest, all meticulously engineered to create a richly complex virtual world. People come and go about their daily business and the player does, too. None of this is particularly new in adventure games, but the depth and detail in Oblivion really set it apart. It is without a doubt the premiere fantasy RPG of this generation.
There are quests just pouring out everywhere you go. In addition to the main storyline involving an invasion by the nightmare realm of Oblivion and its denizens, I quested through the Fighter's Guild, Mages Guild, Arena, Thieves Guild, and Assassin's Guild storylines, each almost big enough to have made their own game. You get missions with each of these, and as you progress an over-arching storyline emerges. The Thieves Guild was my favorite of these, with a great twist-ending.
There's so much to do beside these quests, and even though I beat the game, there are many more of these standalone tasks I've left unfinished. In addition, the Game of the Year edition I purchased comes with both expansions, which I'm sure offer even more hours of gameplay. I finished all the main game and guild questlines in around 70 plus hours of play.
The player can go about all of this either in first-person (like the above-mentioned King's Field), or third person, and the combat is in real-time, with swords swinging and spells flying. The inventory, map, and other screens are a complex set of interfaces that take some time to master, but it's not overly clunky or cantankerous.
The game advises players to save frequently, and I couldn't agree more. Make multiple saves, too - don't just allow the game's autosave mechanism to write over the same ones, as the game's hyper-complexity can create situations where you wish you had a earlier save available.
For example, I took on one of the side quests early in the game, which sent me to a tomb full of vampires. In this game world you can become a vampire by just swordfighting with one, and I contracted vampirism. A few days later, sure enough, my life became a nightmare, with people running away from me and a serious aversion to sunlight making my normal questing and travelling a living hell. I found out that there was a cure, but I was required to gather so many items that I found it insanely hard. I choose to go back to a save before taking on that original quest, losing about two days worth of play. I really didn't want to play as a vampire.
The game had some challenging parts and some easy parts, all of that determined by what skills and items I had, as the creatures you fight are generally scaled to your own level. The ending was epic, if brief, and the game goes on, with so much more to do and see, that it's almost like an MMO.
I'll be returning to land of Cyrodiil for more adventures at some point, but after nearly a month in that land, I need a break. The Elder Scrolls IV : Oblivion is a massive masterpiece, complex but fun, rich and full of detail. My only disappointment is that it wasn't a King's Field game, but then again, only From Software can make a King's Field game, and they're not doing that anymore.
Thursday, June 25, 2009
Beaten : Ghostbusters The Video Game
Almost a quarter century ago, I was enjoying the first Ghostbusters videogame on my Commodore 64. At the time, the graphics, gameplay, and especialy the sound were all impressive, and it certainly conveyed the feeling of actually being one of the ghost bustin' crew.
And here we are again. I picked up Ghostbusters : The Video Game for the XBox 360 at its midnight release at Wal-Mart last week (which got me a code for an in-game gold proton pack and a CD of three songs) and can happily say that this modern title once again puts the player fully into the jumpsuit of a Ghostbuster for a great ride.
Players assume the role of a new recruit to the team in a whole new story, written by Harold Ramis and Dan Akroyd, who, along with Bill Murray, Ernie Hudson, and several other stars, round out the fantastic cast. It takes place in 1991, and offers much in tribute to the two movies, as players get to re-create the battle with Slimer in the hotel and the iconic Stay Puft Marshmallow Man in Times Square.
The story is good and flows well, and the laughs are certainly there. Bill Murray's character style stands out once again, as it did in the movies, but the player will enjoy some one-on-one time with each of the other team members in turn throughout the game's progression. While the script and voice acting are great, the synching to the in-game talking of the characters themselves is not, often resulting in a Godzilla-movie sort of look.
The gameplay in Ghostbusters is generally pretty good. One of the plot points established early on is that the player is not just a new recruit, but one hired to help test out some new equipment. The good old proton packs that the Ghostbusters have been using get a few upgrades along the way, selected using the d-pad. Some of them are even used for a few minor environmental puzzles, which was nice.
Actual busting of a ghost is a surprisingly fun and unexpectedly more complex game mechanic than I thought it would be. Players zap the ghost with the proton pack and wear it down, and then switch on the capture stream, and then wrangle it into the trap. And since they put up a fight, the whole expereince really feels like wrangling a ghost.
In addition, the proton pack is a piece of equipment prone to overload, so players must be careful to vent the thing lest it overload and be out of commision for a few seconds. The pack also is used like the suit in Dead Space, to convey the player's health bar and equipment status meter, which works well since the game is played in a very good third-person viewpoint.
Another pleasant surprise is the complexity of the PKE meter device. During gameplay, it is used to track and scan ghosts and ectoplasmic residue. The device is held out in front of the player, who then dons goggles to assist in the scanning. When the game is paused, the PKE meter is pulled up and viewed like a PDA, with access to game save features and options, as well as the lore of each scanned ghost. It's a good place to check for each ghost's weaknesses, and the lore itself is entertaining.
The game has some spooky environments to explore, but it's honestly very short. There are seven levels, essentially, and it took me less than ten hours to beat the game on the normal setting. There are checkpoints throughout each level, making starting over not too bad.
However, there are points of high frustration in the game where I found myself dead quite a few times. When a fellow Ghostbuster falls in battle, the player must run to them to revive them, and if they're alive they will return the favor. Sometimes the action is so fast an frenetic that players can get locked into a cycle of 90% revival (you revive them, they revive you, repeat, with little time to do much else like, say, bust some ghosts), and this can get quite tedious.
In spite of these few shortcomings, the game delivers on exactly what I'd hoped for - I got to go on a whole new adventure with the classic Ghostbusters and had a great time doing it. There's online multiplayer available, too, but I have yet to try it out. I hope Ghostbusters does well enough to warrant a sequel, because if the game's developers took what was here and improved on it - more levels, less teammate healing, driving the Ectomobile, better voice-synching - they'd have a real winner.
As it stands, Ghohstbusters The Video Game delivers what any fan of the movies would want, and I found it well worth the price. As for gamers who don't necessarily geek out on the Ghostbusters but are looking for something fun to play, I'd recommend keeping in mind the brevity of the game when considering a full-price purchase.
And here we are again. I picked up Ghostbusters : The Video Game for the XBox 360 at its midnight release at Wal-Mart last week (which got me a code for an in-game gold proton pack and a CD of three songs) and can happily say that this modern title once again puts the player fully into the jumpsuit of a Ghostbuster for a great ride.
Players assume the role of a new recruit to the team in a whole new story, written by Harold Ramis and Dan Akroyd, who, along with Bill Murray, Ernie Hudson, and several other stars, round out the fantastic cast. It takes place in 1991, and offers much in tribute to the two movies, as players get to re-create the battle with Slimer in the hotel and the iconic Stay Puft Marshmallow Man in Times Square.
The story is good and flows well, and the laughs are certainly there. Bill Murray's character style stands out once again, as it did in the movies, but the player will enjoy some one-on-one time with each of the other team members in turn throughout the game's progression. While the script and voice acting are great, the synching to the in-game talking of the characters themselves is not, often resulting in a Godzilla-movie sort of look.
The gameplay in Ghostbusters is generally pretty good. One of the plot points established early on is that the player is not just a new recruit, but one hired to help test out some new equipment. The good old proton packs that the Ghostbusters have been using get a few upgrades along the way, selected using the d-pad. Some of them are even used for a few minor environmental puzzles, which was nice.
Actual busting of a ghost is a surprisingly fun and unexpectedly more complex game mechanic than I thought it would be. Players zap the ghost with the proton pack and wear it down, and then switch on the capture stream, and then wrangle it into the trap. And since they put up a fight, the whole expereince really feels like wrangling a ghost.
In addition, the proton pack is a piece of equipment prone to overload, so players must be careful to vent the thing lest it overload and be out of commision for a few seconds. The pack also is used like the suit in Dead Space, to convey the player's health bar and equipment status meter, which works well since the game is played in a very good third-person viewpoint.
Another pleasant surprise is the complexity of the PKE meter device. During gameplay, it is used to track and scan ghosts and ectoplasmic residue. The device is held out in front of the player, who then dons goggles to assist in the scanning. When the game is paused, the PKE meter is pulled up and viewed like a PDA, with access to game save features and options, as well as the lore of each scanned ghost. It's a good place to check for each ghost's weaknesses, and the lore itself is entertaining.
The game has some spooky environments to explore, but it's honestly very short. There are seven levels, essentially, and it took me less than ten hours to beat the game on the normal setting. There are checkpoints throughout each level, making starting over not too bad.
However, there are points of high frustration in the game where I found myself dead quite a few times. When a fellow Ghostbuster falls in battle, the player must run to them to revive them, and if they're alive they will return the favor. Sometimes the action is so fast an frenetic that players can get locked into a cycle of 90% revival (you revive them, they revive you, repeat, with little time to do much else like, say, bust some ghosts), and this can get quite tedious.
In spite of these few shortcomings, the game delivers on exactly what I'd hoped for - I got to go on a whole new adventure with the classic Ghostbusters and had a great time doing it. There's online multiplayer available, too, but I have yet to try it out. I hope Ghostbusters does well enough to warrant a sequel, because if the game's developers took what was here and improved on it - more levels, less teammate healing, driving the Ectomobile, better voice-synching - they'd have a real winner.
As it stands, Ghohstbusters The Video Game delivers what any fan of the movies would want, and I found it well worth the price. As for gamers who don't necessarily geek out on the Ghostbusters but are looking for something fun to play, I'd recommend keeping in mind the brevity of the game when considering a full-price purchase.
Condemned 2 : Bloodshot's Unforgivable Lost Save Bug
After thoroughly enjoying the first Condemned game for the XBox 360, I decided shortly thereafter to pick up the second one, Condemned 2 : Bloodshot, when I saw it in the twenty dollar bin at Wal-Mart. I got in a solid day of playing with the game and haven't touched it since thanks to what I consider a catastrophic, unforgivable bug.
I had just started the fifth level when I decided to quit for the day. As I often do, I simply shut the system off, knowing that the game was saved at the end of the fourth level. The next morning when I started up the game to resume playing, all my save data was either lost or inaccessable.
It was there, on my XBox's hard drive - save data for the game. But the game program itself didn't acknowledge it. Four levels, a whole day of play, lost. I felt sick to my stomach, because an entire day's worth of playing - some of it very hard - was lost.
The consensus on the internet I found when searching for other cases of this bug was that the player MUST end their play session through the game's own menus, not by simply shutting the system off, to prevent this bug from happening. This seems so insane in light of the fact that every other game, including the first Condemned game, doesn't seem to destroy entire save files or access to them when the player just shuts the system off.
Damn, I wonder if a power outage during a play session would do the same? Scary.
An email sent to the game's creators, Monolith Productions, has gone unanswered for over a week. I asked them if they were aware of this bug, and if so, why hasn't it been patched in the last year-plus following the game's release. I also suggested that, if a patch was too much, then why not a simple warning message to keep players from exiting their games as I did? The lack of response has said volumes about what the company considers as support for their products post-release. Shameful, I'd say.
I consider the ability to wipe out one's own saves a completely catastrophic, unforgivable bug of the highest caliber. This should not have made it past testing, and certainly not to release. Once released and reported, this should have been fixed with all haste.
Monolith's failure to fix or even acknowledge this bug calls into question their other products for years to come. I enjoyed Condemned : Criminal Origins, and was having fun with Condemned 2 : Bloodshot up to this point. Both games were good and scary. Continuing to play this second title with the ever-present fear of losing all my saves, though, is really pushing the horror genre just a bit too far.
I had just started the fifth level when I decided to quit for the day. As I often do, I simply shut the system off, knowing that the game was saved at the end of the fourth level. The next morning when I started up the game to resume playing, all my save data was either lost or inaccessable.
It was there, on my XBox's hard drive - save data for the game. But the game program itself didn't acknowledge it. Four levels, a whole day of play, lost. I felt sick to my stomach, because an entire day's worth of playing - some of it very hard - was lost.
The consensus on the internet I found when searching for other cases of this bug was that the player MUST end their play session through the game's own menus, not by simply shutting the system off, to prevent this bug from happening. This seems so insane in light of the fact that every other game, including the first Condemned game, doesn't seem to destroy entire save files or access to them when the player just shuts the system off.
Damn, I wonder if a power outage during a play session would do the same? Scary.
An email sent to the game's creators, Monolith Productions, has gone unanswered for over a week. I asked them if they were aware of this bug, and if so, why hasn't it been patched in the last year-plus following the game's release. I also suggested that, if a patch was too much, then why not a simple warning message to keep players from exiting their games as I did? The lack of response has said volumes about what the company considers as support for their products post-release. Shameful, I'd say.
I consider the ability to wipe out one's own saves a completely catastrophic, unforgivable bug of the highest caliber. This should not have made it past testing, and certainly not to release. Once released and reported, this should have been fixed with all haste.
Monolith's failure to fix or even acknowledge this bug calls into question their other products for years to come. I enjoyed Condemned : Criminal Origins, and was having fun with Condemned 2 : Bloodshot up to this point. Both games were good and scary. Continuing to play this second title with the ever-present fear of losing all my saves, though, is really pushing the horror genre just a bit too far.
Sunday, June 14, 2009
One Year With The XBox 360
One year ago this evening I was enjoying dangerous amounts of alcohol with my closest friends who honored me with a bachelor party. It was at this event that they presented me with my XBox 360, a most generous gift that I've certainly gotten a lot of play out of since then.
One year with this generation's, um , well it's not the best selling console(that's be the Wii), and it's probably not the most powerful console (that'd be the Playstation 3), so let's just call it this generation's coolest console, yeah. Anyway, one year with the XBox 360 has taken me to so many worlds and given me so many memorable gaming experiences that it seems like a whirlwind.
I blasted through this generation's most epic and cinematic first-person shooter when I played Call of Duty 4. I fought through City 17 and its surroundings in Half-Life 2, Half-Life 2 Episode One, and Half-Life 2 Episode 2, a gaming experience rife with moments of absolute joy. And Portal, ah Portal. Original, refreshing, innovative, challenging, and fun, with such a devious twist at the end, and then an end credit sequence that brought tears to my eyes it was so awesome. Portal alone justifies the price tag of the XBox 360.
I tried Bioshock, and it was cool, but didn't grab me. Perhaps because it was a game a co-worker insisted I try. I bet I'd like it if I bought my own copy, and I might yet do that. Then it was Grand Theft Auto 4. Nothing ever made can compare to its size and scope, its accomplishment as an entertainment product, and its sheer amount of fun-to-play gushing from every screen. Four months, on and off, to beat it, and then later, it's downloaded spin-off The Lost and Damned.
The XBox Live service itself has been a highlight, especially when they offer up titles like Duke Nuken 3D, perfectly translated and still a blast. My wife Monique has found plenty of puzzle games on the service, which suits her preferred gaming genre.
Dead Space was another highlight. Dark, moody, challenging, with stunning visuals and well-made gameplay innovations, my romp on the Ishimura was very memorable. As was my trip to Albion for Fable 2, which had some flaws, but not enough to keep me from playing both of its subsequent downloaded expansion packs.
And then there was Left 4 Dead. From the makers of Half-Life 2 and Portal, this pure action game threw hordes of zombies at players, alone or online, with fantastic results. Of all the fleeting online expereinces I've had on XBox Live, the time spent with Left 4 Dead was the most memorable.
From the zombie apocalypse I headed to Africa for Farcry 2, another gorgeous first-person shooter, this one combined with the sandbox play of Grand Theft Auto 4. It's a formula that worked quite well and offered weeks and weeks of gunfights and exploration. Next, I was pulled aboard another alien spaceship for Prey, and after that it was off to a vast island nation for another sandbox masterpiece, Just Cause.
I spent some time in the shaky future of Fracture, and after that I returned to Africa for an all-new Resident Evil epic (the 5th one). What worlds were left to conquer at this point? Quite a few worlds, actually, as I took off for the stars in Mass Effect, a game where the whole galaxy is the friggin' sandbox. Size and scale are relative, it seems.
Most recently, I enjoyed some more lighthearted fare with Guitar Hero III : Legends of Rock and The Maw, and for more sandbox fun I headed for the city of Stilwater in Saint's Row. The crusades were the setting for the stunning and original Assassin's Creed, a game of strange designs yet memorable gameplay. Finally, I've wrapped up my first year of XBox 360 with the spooky first-person melee masterpiece Condemned : Criminal Origins.
Currently I've taken a dive into a deep and massive RPG with The Elder Scrolls IV : Oblivion, and started on the sequel to Condemned, called Condemned 2 : Bloodshot. Oh, and tomorrow night at midnight I'm hoping to score a copy of Ghostbusters at Wal-Mart, because bustin' makes me feel good.
Many worlds behind me, and many more beckon. The XBox 360 has been a gateway to some of the best game experiences of my life, and I can't wait to where it takes me next.
One year with this generation's, um , well it's not the best selling console(that's be the Wii), and it's probably not the most powerful console (that'd be the Playstation 3), so let's just call it this generation's coolest console, yeah. Anyway, one year with the XBox 360 has taken me to so many worlds and given me so many memorable gaming experiences that it seems like a whirlwind.
I blasted through this generation's most epic and cinematic first-person shooter when I played Call of Duty 4. I fought through City 17 and its surroundings in Half-Life 2, Half-Life 2 Episode One, and Half-Life 2 Episode 2, a gaming experience rife with moments of absolute joy. And Portal, ah Portal. Original, refreshing, innovative, challenging, and fun, with such a devious twist at the end, and then an end credit sequence that brought tears to my eyes it was so awesome. Portal alone justifies the price tag of the XBox 360.
I tried Bioshock, and it was cool, but didn't grab me. Perhaps because it was a game a co-worker insisted I try. I bet I'd like it if I bought my own copy, and I might yet do that. Then it was Grand Theft Auto 4. Nothing ever made can compare to its size and scope, its accomplishment as an entertainment product, and its sheer amount of fun-to-play gushing from every screen. Four months, on and off, to beat it, and then later, it's downloaded spin-off The Lost and Damned.
The XBox Live service itself has been a highlight, especially when they offer up titles like Duke Nuken 3D, perfectly translated and still a blast. My wife Monique has found plenty of puzzle games on the service, which suits her preferred gaming genre.
Dead Space was another highlight. Dark, moody, challenging, with stunning visuals and well-made gameplay innovations, my romp on the Ishimura was very memorable. As was my trip to Albion for Fable 2, which had some flaws, but not enough to keep me from playing both of its subsequent downloaded expansion packs.
And then there was Left 4 Dead. From the makers of Half-Life 2 and Portal, this pure action game threw hordes of zombies at players, alone or online, with fantastic results. Of all the fleeting online expereinces I've had on XBox Live, the time spent with Left 4 Dead was the most memorable.
From the zombie apocalypse I headed to Africa for Farcry 2, another gorgeous first-person shooter, this one combined with the sandbox play of Grand Theft Auto 4. It's a formula that worked quite well and offered weeks and weeks of gunfights and exploration. Next, I was pulled aboard another alien spaceship for Prey, and after that it was off to a vast island nation for another sandbox masterpiece, Just Cause.
I spent some time in the shaky future of Fracture, and after that I returned to Africa for an all-new Resident Evil epic (the 5th one). What worlds were left to conquer at this point? Quite a few worlds, actually, as I took off for the stars in Mass Effect, a game where the whole galaxy is the friggin' sandbox. Size and scale are relative, it seems.
Most recently, I enjoyed some more lighthearted fare with Guitar Hero III : Legends of Rock and The Maw, and for more sandbox fun I headed for the city of Stilwater in Saint's Row. The crusades were the setting for the stunning and original Assassin's Creed, a game of strange designs yet memorable gameplay. Finally, I've wrapped up my first year of XBox 360 with the spooky first-person melee masterpiece Condemned : Criminal Origins.
Currently I've taken a dive into a deep and massive RPG with The Elder Scrolls IV : Oblivion, and started on the sequel to Condemned, called Condemned 2 : Bloodshot. Oh, and tomorrow night at midnight I'm hoping to score a copy of Ghostbusters at Wal-Mart, because bustin' makes me feel good.
Many worlds behind me, and many more beckon. The XBox 360 has been a gateway to some of the best game experiences of my life, and I can't wait to where it takes me next.
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